This is a post about something that made me happy this weekend.
If I’ve ever seen the animated Anastasia movie, I was so young that I have literally no recollection of it whatsoever. But after the cast and creative team were announced for the musical adaptation, which premiered this month at Hartford Stage, I was immediately excited.
I decided not to watch the movie before seeing the musical because I really strongly believe that adaptations, even of the most well loved and popular work, need to be able to stand on their own. I knew the basic story of the show, but really had no idea what to expect when we got to the theater.
On Saturday, my mom and I rented a car in Queens and road tripped up to Hartford for the day to see the show, and we arrived at the theatre tired and starving, so I bypassed the costume exhibit in the lobby to scarf down a soft pretzel from the bar before we took our seats.
As soon as I saw the show’s curtain, animated with projections of gently falling snow, I expected a show full of lush design and Anastasia didn’t disappoint in that regard. I loved the entire cast’s performances, but I ultimately left the theatre a little confused about the story that had happened on stage during the previous two-and-a-half hours. Regardless, I loved this show and genuinely enjoyed my afternoon at the theatre this Saturday.
Continue reading “#onceuponaroadtrip: Anastasia at Hartford Stage.”
Let’s talk about the Spring Awakening Tony Awards fundraiser. Let’s talk about what it takes and what it means to perform on the Tonys. Let’s talk about what a commercial producer of a Broadway show’s job is.
I love Spring Awakening. I love the original production and I love the Deaf West revival. While the original production’s first national tour cast is the cast of my heart, the Broadway revival, performed simultaneously in American Sign Language and spoken English and featuring Deaf, Hard of Hearing, and hearing actors was better. It told the story of the show more successfully than the original production. The layers of depth added by Michael Arden’s directorial choices filled in holes in the show’s book. It was fucking incredible. But unlike the original broadway production, it was not a financial success despite its rabid (or… passionate) young fan base.
This week, commercial producer Ken Davenport and non-profit LA theatre company Deaf West asked fans of the Spring Awakening revival to donate $200,000 to fund a performance by the show’s cast on the 2016 Tony Awards, and I have some questions and I have some concerns.
Continue reading “let’s talk about that Spring Awakening kickstarter.”
I see a whole lot of theatre, and I see a whole lot of theatre in New York. It can get expensive if you’re regularly buying full price tickets, so I cut costs by… not doing that.
I have access to some discounts that are only available to students (shout out to those college IDs with no listed expiration date…) (I AM still a student, just not enrolled in a full time degree program), but there are many, many others open to everyone who knows how to find them.
Here’s a rundown of all the ways I save on Broadway and Off Broadway tickets.
Continue reading “but, how do you afford all those tickets?”